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Recording drums to sound big in a small room for hard rock/metal projects

I would like some feedback. I just finished an iso room in my studio to track in. I’m a drummer and I will never have the square foot or height to track ambient drums. I’m ok with that and I’m fine with adding room post tracking. I guess the biggest challenge I face is getting the drums sound big enough for hard rock/metal projects.

Lonely Road: featuring real drums (1st for me)

Here's an early mix of a new song. (I was going to be re-cutting vocals today but woke up stuffy nosed). This song features real drums in the mix tracked Glyn Johns style. After I recorded my scratch tracks I sent them out to a drummer to lay down the drum parts, then on their return I re-tracked the song locking into his drums.

Micing drums?

I stopped recording about 8 years ago and just recently decided to get back into it. I have a decent set of drum mics but they do not include any "overhead" mics. I ended up using two large condenser mics that I normally use for vocals but what I'm finding is that the snare comes out really loud, not giving me much control over the SM57 I use directly on the snare.

Looking for 70’s drumsound!

Hi, all!

I'm new here and this is my first post. I'm not new to recording, I started in the 70'ies, but I was rather late adapting the digital recording technique.

I mainly play 70'ies rock/prog music and I record via Focusrite to Mixcraft (excellent recording program). I play guitar, bass and keyboard but my problems is the drums.

Mixing double drums: How would you pan them?

I'm mixing a project with two drummers on most of the songs, much like The Grateful Dead, Allman Brothers etc. I've been pondering my panning approach and, though I've kind of got it figured out, it would be useful to hear what others have done or think they would do with two kits before I settle on something.