Hi,

Hey All, I just started to wonder about this as I was reading a thread on the Sonar user's forum. Hardware EQ does cause phase shifting because of the reactive components (capacitors and inductors) in the circuitry. What about software versions? I'm curious to know how the algorithms effect frequency in the virtual world. Is it by manipulating the time line aka phase?

Is there a "science" to subtractive EQ where cutting in a specific area "boosts" or accentuates a higher area of freqiencies?

Let say, for example I cut 3dB at 125-250Hz and then I hear it as if I boosted at 3000-4000 Hz. (Just an example)

for more of a linkin park vocal sound, which mic preamp should i get?

Hi @ all,

maybe thats discussed in this forum before and please excuse any bad english.

I want to know how to make the (I call it) typical compression sounding on synchonisation (speech) of films or speech in radio stations ?

It sounds mid, very close and with no headroom left but without any breath or noise background (mostly).

Any comments ?

This is probably a stupid questionbut here goes.

hi guys!

i am thinking about new eq for my studio. Crane Song ibis, ear825q, Millennia media  nseq 2 are my top choices- any thoughts?

tnx in advance,

i downloaded the Sony oxford eq for demo purposes and i was wondering if anyone had sometips/best practices for using it...

or perhaps even a few settings to share as a starting point.

i was hoping to use it on mainly on vocal tracks.

i am using it on Digital performer 4.12 with powercore firewire 1.8 on a G4 with Panther.

thanks.

Does anyone have any info the Orange County company? From what I gather, this was a company making high-endrecording gear in the 70's. I could only find two products that they made, a stereo compressor/EQ and a Vocal Stresser of some sort.

Question on the Allen & Heath MixWizard 16:2 mixer that I hope some of you can answer. (I have already searched the forums and can't find this info)