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Micing drums?

I stopped recording about 8 years ago and just recently decided to get back into it. I have a decent set of drum mics but they do not include any "overhead" mics. I ended up using two large condenser mics that I normally use for vocals but what I'm finding is that the snare comes out really loud, not giving me much control over the SM57 I use directly on the snare. The more I turn down the overheads in the mix, the less of high hats, ride, and other cymbals I get, making the drums sound kind of muddy.

Micing Pipe Organ (+ others Instruments)

Hello everybody,

I'm relatively new to the recording world... Since years I'm an enthusiast audiophile but I never delve into the recording world.
I'm also a professional musician, play both organ (pipe organ and hammond organ) and piano.

I'd like to buy a couple of mics to record primarly pipe organs (I think omnis would be the best choice with the complete frequency range of pipe organs [lower C at 16Hz with 32 feet pipes] and also capable of the huge dynamic range of the instrument) but also capable of recording grand pianos and hammond organs.

Micing Live Performance of Sax Quartet

I have a sax quartet and need to record our performances for some QC. The music we play are jazz standards and the arrangements have a lot going on in the inner voices. We need to be able to listen to our performances to check out how we balance on set vs. in rehearsal. Our set up is usually in a V. I am unable to place a mic stand in front of the group past the front music stands. If I have to have the mic stands in in back of the group or close in front, what cost effective microphone(s) would you recommend I use, placed where and pointed where?

Classical vocal sextet miking?


I've got a session tomorrow and Saturday with a classical vocal sextet and am looking for advice in terms of Micing them.
The mics I'll be using are a pair of RODE NT5's small diaphragm condensers and pair of Audio-Technica AT4040 large diaphragm condensers. The venue is a small church.

The sextet are used to standing in a small semi circle when performing so I am looking to keep this formation.

Creating Impulse Responses using MS Micing technique.

So, I sometimes use the SIR1 plugin for reverb (its free!). It takes impulse responses of different locations around the world to simulate reverb. You can even make your own, which I did. I took a pair of SDC's and recorded them in XY inside a giant staircase in my school. It sounds pretty cool.

To make a larger stereo-spread reverb, can I use the M/S technique? I just got a figure-8 ribbon. If I did this, could I just use the doubled side tracks (being flipped phase of course), or do I need the mid too? Or is it whatever I want?

Les Mis Orch Micing Conundrum

We are about to do Les Mis School's Edition and I have the lovely job of doing the sound.
However, looking for some advice.

This is the Orchestra... all single instrumentalists unless stated.
Keys 1
Keys 2
Acoustic/Electric Guitar
Bass Guitar
Violin 1
Violin 2 x2
Viola x 2
Oboe/Cor Anglais
Horn 1
Horn 2
Trumpet 1
Trumpet 2
2 x Timpani
Sax (Sax is also doing percussion)


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