Hi, I'm new round here.

Hi! Please help me in the following: I have an Epiphone Broadway hollow jazz guitar, used with flat wound Tomastic strings, pluged into a Fender Concert full tube amp, and I use a little of the mechanik reverb into it. Have a big membran condenser microphone for the amp. I have a Boss GT8 effect pedal too.

Has anyone ever used the TC Electronic Finalizer!
I am a sing/songwriter and I send out demos that I have used the Finalizer on when I had an analog studio.
Now that I have Logic 8 INSTALLED on an imac I am looking for a decent mixing/mastering plugin .

Hi, I've been reading quite a few of the threads on this forum regarding mixing, mastering etc.
Most of the threads start out with a nice question and end up in some discussion about how professional recordings are not made by accident etc, etc.
This makes them hard to read, and even herder to learn anything.

So, I've been recording long enough at this point to realize the pros and cons of dynamic and condenser mics. Perhaps the most frustrating thing to me is recording vocals: I really like the sound of a condenser, but I just do not have the money to drop on a condenser mic that actually works well for vocals.

We are trying to record vocals and would like them to sound like: kill'em all - AJFA, Killing is my Business - Rust in peace.

I am mostly interested in techniques, and how to make vocals sit in the mix, some typical approaches for this style etc. I know that they probably doubled them, used some delay, reverb, possibly some flanger phaser chorus... who knows... So please help.

Hi, I need comments to my narrowed down selection below, in preference order:
1. Beyer Dynamic DT 770 PRO, 80 ohm
2. Audio-Technica ATH-M50
3. Sony MDR 7506

http://miami.craigs…"]Engineer Wanted[/]="http://miami.craigs…"]Engineer Wanted[/]

First I laughed. Then I cried...well I didn't cry but I felt sad.

Hi everyone,

I'm looking to upgrade my mixing console in my studio. I want to get a console that is either analog (with firewire card) or digital that supports 192 kHz sampling. So far, I've only been able to find up to 96 kHz (other than the c|24 by DigiDesign, but I'm using Logic and FireWire).

Long ago, I read something to the effect that recording and mixing in the same room is not good due to a build up of the same room modes or resonances. Is this accurate? Is there an inherent problem tracking and mixing in the same room?