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Lynx Two B for monitoring a 7.1 mix?

anonymous 5 October 2005

I was reading the Lynx Two PDF info file from Lynx's website, and they mention that the Lynx Two B is an "ideal choice for mixing and post-production, including 5.1 and 7.1 surround sound". The "B" model is the 2-in, 6-out version.

I can see how mixing (and monitoring) can be done in 5.1, but how could someone use 6 outs for 7 channels of audio?

Need a cheap preamp for talk-back mic

anonymous 8 September 2005

I've got a Tascam FW-1082 with the headphone output going into a Samson C-Que headphone distribution amp. I want to add a talk-back mic without sacrificing any of the board's 8 inputs.

The C-Que has an additional inject input that mixes with the stereo outs from the board. I'd like to add a preamp and mic there. I tried it with one of my other preamps and it works well.

Monitoring/recording with headphones- even wireless?

anonymous 1 August 2005

hey peeps,

this concerns the "recording" proccess of the project and not really the playback/monitoring (you wouldnt get a very "truthful" sound image from headphones would ya'?).

basically- i am recording my vocalist tommorow- problem being that the neighbours are in and i think i deafened them today while recording guitars!

Monitoring Radio

anonymous 29 May 2005

Hi,
My job requires me to keep track of a few radio stations. Currently, everything is recorded through the video tapes. Then the essential portions are encoded into PC using Cooledit. The sound quality is very bad. Is there any better way to improve the efficency, in tearms of time saving and quality? eg. using a mixer and Pro Tools?

Thank you.

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