I often see drummers wearing some sort of earbuds for live performances. I'm looking to use earbuds for monitoring my digital piano (just for live jams where there is no amp monitor).
Should I be OK with something like the Shure SE215-Dynamic-Microdriver-Earphones?
Our brilliant singer has moved to Malta! The plan is that I send backing tracks and she records. Then she sends me the results for mixing in UK.
With the current setup (using Zoom) we can chat & discuss until she starts recording. But THEN I can’t hear the backing so I get no sense of how everything’s fitting together.
Monitoring with Magix Samplitude Pro X
In this video I show how I do my monitoring setups with RME Totalmix FX and also using Samplitude alone for those who don't have a virtual mixer for their interface.
One of my Youtube Viewer bought a PreSonus Q2626, it seems to not have a virtual mixer and aimed to be driven by studio one.. I hope this will work with samp as well.
As I'm new to this forum, I'd like to give a little background about me. I'm a hobbyist who doesn't record/mix/master for commercial use at all.
Just a hobby that went completely out of hand and used solely to track rehearsals and make a "decent" recording once a year.
Hello everyone I'm brand new to this forum and I'm brand new into the recording world and looking for some advice on a particular set of headphones.. I can't seem to find reviews on the Sub zero SZ-MH200 headpnones themselves only the manufacturer.
I am getting ready to buy my first audio interface. With no digital recording experience, I need some advice on monitoring overdubs. I had been looking at the Focusrite Clarett 2Pre Thunderbolt audio interface (connected to my HP Spectre x360 with Thunderbolt 3) because it has especially low latency in hopes that I would be able to monitor my live overdub tracks via the DAW.