Hi guys, I would like to ask you what do you think about proper monitoring when mastering? What kind of equipment should be used to judge your decisions? Does knowledge of equipment is more important then quality?  How does it pertain to so called industry standards? 

I often see drummers wearing some sort of earbuds for live performances. I'm looking to use earbuds for monitoring my digital piano (just for live jams where there is no amp monitor).

Should I be OK with something like the Shure SE215-Dynamic-Microdriver-Earphones?

Monitoring with Magix Samplitude Pro X

In this video I show how I do my monitoring setups with RME Totalmix FX and also using Samplitude alone for those who don't have a virtual mixer for their interface. 

One of my Youtube Viewer bought a PreSonus Q2626, it seems to not have a virtual mixer and aimed to be driven by studio one..  I hope this will work with samp as well. 

Hi all,

As I'm new to this forum, I'd like to give a little background about me. I'm a hobbyist who doesn't record/mix/master for commercial use at all.
Just a hobby that went completely out of hand and used solely to track rehearsals and make a "decent" recording once a year.

Dear Recording.org Community,

I'd like to get the input of someone who has used Scarlett Mix Control on a 2nd Gen. Scarlett 18i20 to create monitor paths with the various analog outputs.

So I use Cubase 10 pro to livestream our churches services. So the way I have it set up is the board we use (si expression 3) sends signal through usb to Cubase 10 on my laptop.

This is a really bizzare problem I cannot figure out.

Does anyone have one of these, and do you have any beginner tips.. I'm pretty good at the analog 4 track I have, but this is Wow! ?

Hello everyone I'm brand new to this forum and I'm brand new into the recording world and looking for some advice on a particular set of headphones.. I can't seem to find reviews on the Sub zero SZ-MH200 headpnones themselves only the manufacturer.