Those interested in upmixing mono source material to stereo should check out my website, http://www.monotost…"]monotoSTEREO.info . The website provides a collection of resources for those using audio spectral editing, sound source separation, and related processes for upmixing older mono source material to stereo.

I'm interested to hear how you guys pull out the mono stuff from a stereo track.

Im Using Zoom H4n as a USB interface.

I plugin two SM58 Mics in the two bottom inputs, and get sound from Input 1 on the left channel and Input 2 on the right channel. I'm trying really hard to figure out how to get sound from both inputs to come out of both channels.

Hi Guys,

We spoke about the importance of checking a mix in mono recently in another thread and it made me think.
We all have our little recipe. I'm interested to read about how others do make sure the reverb on vocals don't partly disapear in mono.

Do you use a mono reverb + a stereo reverb ? Any panning or doubling technics or just put the level higher ?

Anyone here mono the frequencies below 260hz in a mix? Well, more like 100hz but that's the default setting in Sequoia.

Hello,

Hey everyone,

I am a rookie producer/engineer who has mixed and edited a couple albums, but I have never mastered a full length project. Usually when I master I just compress, limit, and dither the stereo track. But I have been hearing of people mastering each mono track individually. Is this necessary?

-Clark

I am using Cubase LE 4 with a Lexicon Alpha to do some simple recording. I have a microphone plugged into the Alpha's XLR jack, which I guess is the right (as opposed to left) input. The alpha RCA outputs go to my two speakers, or sometimes headphones plugged into the speakers.

Ok, so I just recorded a bunch of tracks in Cubase on my bass guitar. However, I'm an idiot and had all the tracks as stereo even though bass is a mono instrument. Also, on my M-audio USB fastrack which I'm using to record, I had it set on stereo. When I recorded and played it back the sound would only come out of one earphone and the other one would just play constant white noise/static.

I'm getting ready to record a classical guitarist in my studio. There will be no other instruments; only his guitar. I'm thinking I may record him in mono, and just wondered what you more experienced folks think about that... I've got three decent mics: two AKG C1000s and a RODE NT1-A.