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DISTRESSOR, mono or stereo?

Hey, everybody!

My question refers to drums: room mic compression. I currently have two EL8 momo distressors. I like them on the room mics but, would it be better to use a stereo EL8 insted? would there be a difference? and if not, whats the point of offering a stereo unit? if you get the same results with two mono units at a cheaper price? thanks for any opinions.

How to create stereo guitar from a mono source?

As the subject reads, I'm trying to get a good stereo sound out of a mono guitar source. I do intend to bypass the amp completely and use only direct audio from the processors. splitting into two mono L&R tracks and panning only sounds like just what it is, two of the same track panned to the sides. how do you get it to sound more like true stereo?

Monotor Reverb

I'm trying to get reverb to come through on both stage monitors I'm using. What happens is this: The left monitor gets a wet and dry signal OK, but when I try to add reverb to the right monitor, it only receives the dry signal and the wet part still only comes out of the left monitor.

Mono "Bass" on Vinyl - Definition in Hertz?

Hey,

What is the definition of "bass" that needs to be mono for vinyl?

I'm seeing different numbers -- below 125 Hz, 150 Hz, 300 Hz, 400 Hz?

Is there any official definition?

Does it depend on what the bass is doing? Traditional "stereo image" versus actively bouncing around? Fairly compressed level versus punchy amplitude changes?

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