Hi, My name is Bill Amato. I do sound design for theatres in the cleveland ohio area. In July we will be doing a production in which I would like one of the effects to be the sound of whispering that travels around the audience by means of a manual control. Is there some form of joystick controller for this?

i create an aux track, set its inputs to a bus (6 in my case), add a plugin to it and then assign the audio track i want affected by that plugin bus 6 in the tracks sends box.

I have a problem with the Behringer UB802 Eurorack. Whenver I turn the knob on PAN all the way to right, the microphones will not pick up any sound, and this happens on both Mic plugs. It only works when the knob is in the middle or all the way to the left.

I'm pretty sure it worked before, and now it doesn't
What seems to be the problem? Thanks

My situation

How do you get audio to sound pro studio CD ready quality. I do the mixing right, i play all the parts right, and I master with all the best plugins, but then i have noise issues and problems hearing other parts in the mix I need help with panning these parts and/or using some of these plugging s i have to touch it up to sound great

Hi Everybody!

I've been lurking for a while here, but now I've registered and joined the fray. I'm a video, audio and DVD producer, and also a drummer - go ahead and hit me with the drummer jokes - I can take it! :<)

Hi everyone. This will be another newbie question but can anyone tell me what significance panning has in the recording process? There was this sound engineer guy I talked to once who said I need to pan a channel all the way to the left or right prior to recording a track. Does this really matter? If this is indeed the case, why?

I have been doing some recording for a rap duo in Pro Tools and have some questions about proper panning techniques..

The vocals currently sound pretty decent, but I feel they can be much better and I think that it's in the panning or compression..

For years i have been panning the drums in my mixes from the drummer's perspective. So when you are listening to a mix, it is like sitting behind the kit.

Now i have been told that it should be from the audience perspective, like you are standing in front of the kit when listening to a mix

How do the pros get that perfect master with what seems like an emphasis on deep bass + highs on the left and mid bass + mids on the right? And I know this is a mastering forum but does anyone have any advanced panning techniques especially regarding different frequencies and effects

Thanks,
Ryan Chamberlain

I have a level issue...I'm monitoring through a Mackie 1604 --2 channel stereo panned hard right n left. I seem to be getting more level out of the left side due 2 the meter running hotter...I've check all gain structure from my Mac running DP to my individual trim on the MAckie & master faders...all equal. If I even out the panning to straight up, all levels are even?