That realy cool ghostley noise, if i reverse the vocal section i want the effect on i get it, but the vocals are the wrong way round! I want the ghostley noise but so the vocals are the right way round.

Its on Cubase SX3 btw.

Can you please HELP ME?

Thanks allot,
Jake. :evil:

k... i was always wondering how to get that "whip crack" reverse buildup technique for the snare drum, like they used in 80's rock songs. Well, after experimenting for a bit i have it pretty much down. This is has probably been discussed previously, and I'm not sure how most people have accomplished it, so i apologize in advance, but this is the most logical method I could think of:

I've been told that outboard reverb is better than even the best plugins. But is it *that* much better? If I spend $2,500 on a t.c. electronics Reverb 4000, for example, will it sound a lot better than the best plugin reverbs (like Waves, for example)?

I'm looking for a reverb processor, mostly for vocals and acoustic guitar. Has anyone had experience with these two models? How would they compare?

Are there any other options that I should also be considering?

Thanks in advance.

Rev 5 or 7 what are your thoughts?

So I'm trying to get a final sound pre-mastering. I've been listening to a lot of different albums to see what they've done. Now I know that there's no exact way to mix and there's a lot that goes into it but I feel I'm at a pretty good place with the mix. My question is how much, if any, reverb you all put on the whole project (in the master track)?

I've been using one called Freeverb. .its free ha. .but yea, I find it sounds a little tin canish

aaanyways, what would you all recommend as the best reverb plugin for vocals?

is the a midi command i can use from Cubase sx to turn the reverb off on my Yamaha keyboard. when i play the midi files it sounds awfull and i have to go in and turn the reverb off evrytime

Greetings,

Through a friend's suggestion, I have found my way to this forum to get a push in the right direction toward "cleaning-up / re-mastering" a LIVE U2 show that was recorded in the old Seattle Superdome. This venue is (was) a MASSIVE concrete structure, made for baseball and not a rock show. As a result, there is much "room noise" and "reverb / echo" present.

I need help choosig the appropriate Software Reverb to add a hall convolution to a recorded orchestra on 10 channels and 1 stereo microphone (the listener). The end result will be in Stereo.