i want to know if its necessary when panning to keep intruments away from voices in the stereo field? like if i pan voices like 9 o'clock an intruments fa left far right or visa versa

Greetings,

From my limited knowledge I understand that a de-esser is essentialy a compressor that limits certain frequencies of sibilance.

I also understand that an actual de-esser would be rather expensive due to its special function.

So I've been reading about variations on ORTF stereo mic techniques and all of the spacing and angle measurements. I've played around with them in the studio and measured with a ruler and protractor. But when I've used them in the field, I've just eyeballed them. Seems to me the only real drawback of this is that it might no be as consistent. What do you do?

what am i doing wrong I'm using a firewire solo (sound card) so I put that on get sound out of the headphones on Cubase i get sound but theres no volume bar on the stereo out. Only on the track that i hear...as a result i cant hear effects that i put on. Or Record for that matter

Hi there,

I would like to know whether there's any difference between recording rap vocals in a stereo track versus recording it in a mono track. I record my rap vocals in mono tracks for no particular reason. Should i be doing it stereo?

Mason

Hey all,

I own a GT-6 guitar effects processor (http://bossus.com/index.asp?pg=1&tmp=85) which can produce stereo effects.

Ok, so the question is surrounds practicality of bridged mode vs stereo in terms of power amps. Does a poeramp run more efficiently in bridged mode or stereo mode? Following this question is a situation:

id like to record a song with my mic, for my girlfriend, but i need to get the music from a mp3 without the original singers voice...

should i get audicion? acid? cubase? edit pro?

do you have any tutorial that i could see how to do this?
thanks alot

back again!

so ive been reading quite a few guides written by old school engineers and i see stereo bus coming up alot...and compressing stereo bus and all this jive...

I have lots of outboard gear that I would like to utilize with my DAW.
My question: Is it possible to send an audio signal out of my DAW, into an outboard effect and then back into my DAW? (not using my DAWs main out stereo mix.)

I can think of a couple of ways this could be possible, but is it available now?