OK so I am thinking about getting an API lunchbox. I never hear any recormend or speak of using an API compressor. For that matter of all the tracks I have gotten to mix I have never seen one on a track sheet. Opinions on this one.

Mick Jagger would like each of you to mix his album. But as he get's older, like all of us, he gets a little more eccentric (which would explain his stipualtions). He will only allow you to mix his album (and you'll get paid $7000 a mix, for 12 mixes, so don't say you won't do it) under the condition that you use only 2 compressors or limiters of your choice.

Anybody have any information on the 2264X compressors? I own 2264's and 32264a's, and I saw some for sale, and was wondering has anyone ever used them. How do they compare to the other two. THANKS.

now, let me explain. i have a small little get-up that my friends and i make our music with- all tracking goes through my mics through either an ART prochannel or a p.o.s. Alesis studio 32 into a MOTU 1296 (which sounds infinitely better than my original 2408, i have found). We usually track only one or two tracks at a time, save drums (2-8) .

audiokid, Angelo,
been heavily thinking, so I put the Distressor on my future list .
In fact what i need now is a mastering tool, definitely before the end of the year .