Hey, for anyone who decides to check this:

Hello guys, here is a new product : my snare drum collection !

Greets all,

I usually record acoustic music, but will be recording a metal band this weekend. The band wants to use this recording as a sound reference. Pantera - Revolution Is My Name

I came across this idea while attending a little workshop put on by some of the heavies here in town. One engineer (the youngest, but most talented) recommended this technique during one "class".

As I recall, he put the tape on opposite side of the 57 from the hihat, along the grill side. Anyone ever heard of this?

Hi all,

I have some issues with some snare tracks I recently recorded and would like to hear your opinions and suggestions for processing them during mixdown. This is one of the first bands I ever recorded, so don't be too harsh with me.

My wife wants another snare stand to practice with. It's not like this is a moving part or anything, so I may just go with something relatively cheap. But I hate cheap hardware, so I thought I would fish for comments on a good snare stand. Throw in other comments about who makes the best drum hardware: cymbal stands, HH, kick pedals, etc.

Hello all,

Hello if someone can help me with this i would appreciate it. My question is how when making techno music you have a set bpm lets say of 120 and you have a snare roll which is speeding up, how do you make it a extremely fast all of a sudden that you hear in a lot of dance music without distorting the tempo of the rest of the song?

anyone care to share their thoughts with this mic? what context have you used it in? (studio / live). what styles of music?

compare and contrast with other common snare mics.

thanks in advance!

When compressing kick and snare, to you use the same ratio for both? Or Tweak them both separately? I do different genre's... so,hip hop, what would you do? rock? rap? classical? etc..