OK! I've had it up to here with your ANUS!
I run a dell demension 8100, 1.3 ghz, 512mb with xp pro, us-428 etc. I've had it since it WAS the baddass on the block, But I hear so much about your ANUS's, it makes me wonder if I need a new ANUS...
Is there a good benchmark we without an ANUS could use to see how good you've got it?

Well here is another post on a train that i missed..

anyone tried the DAG ***er ?
I REALLY want a copy.

I just want to try it out.
Thanks

I have a really long (60 minutes) audio file in the form of 2 mono tracks in Digital Performer on my 600 mhz iBook in my 80 gig external HD. I want to bounce them to a single stereo track so I can then export it and burn it onto a disc. But every time I try to bounce to disc, the program freezes. Is it because to file is too long?

I have a really long (60 minutes) audio file in the form of 2 mono tracks in Digital Performer on my 600 mhz iBook in my 80 gig external HD. I want to bounce them to a single stereo track so I can then export it and burn it onto a disc. But every time I try to bounce to disc, the program freezes. Is it because to file is too long?

Hi,

I have heard people mention problems with Nic cards and just read this on musicxp.net

I think there idea of creating xp hardware profiles and disabling the nic card for the audio profile is prolly a good idea.

Also, does anybody know if this problem is specific to 3Com Nic cards? Also is it specific to PCI or will onboard Nic suffer the same problem?

Hey guys, first I'll say that I've been using PCs for years and they work fine for me.
I am considering including a mac in my studio however. I ran into a used G4 450mhz with 256meg of ram for $300 or so.
What exactly can this machine do for me? Would it be underpowered for running 24-36 audio tracks@48K/24bits? Any input would be great. Thanks :cool:

I am currently trying to decide if I should switch to XP from 98se. Anybody out there running it yet? Cheers, Doc.

I am finishing a university degree this year, and am very interested in enrolling in a sound engineer college program after I am finished. I would really appreciate some suggestions for schools to look into. I currently live in Toronto and attend University in Halifax.

I am currently in the market for a "high-endcompressor." Right now, I record everything into my DAW with no compression and do everything in the mix. I'd like to be able to get hotter signals into my workstation and also add a little bit of color before mixdown. This compressor would have to be one that would work well on many sources ranging from drums to vocals.

I've been the proud owner of a pair of Mackie HR824 monitors for the last year but now I'm considering something else. First of all, I record and mix in the same room, which happens to be very tempermental. I've treated it adequatelly with foam, layed down some carpet, etc., but the way the room is configured limits the ways I can set it up to only one.