I am posting this just to piss off Opus! :) (Sorry Gary, I couldn't resist!)

I just read a plausible explaination as to why recording at 96K has merit he may be full of it, but this is what he said:

Check this out guys. here's my Anus! This is no joke by the way guys..that is the ORIGINAL ANUS!

http://www.apogeedigital.com/users/users_linett2.html

Hee hee hee!
Opus :D

Hiya fellas,

Just wondering what the uptake would be to intensive training courses on an SSL console ( a few days) and how much you think would be a reasonable fee?

I'm looking at new insurance policies. How do the project/mid-sized studios set-up insurance? Are you just insuring the gear itself? Do you have business liabilty insurance? What if you travel w/ gear? Do you have a floater-policy?

On another posting, Opus..You said the following:

Please feel free to ask me any questions as I had worked on several MOTU products and actually found a lot of fixes for most of their gear.

Hi, I'm a young recording engineer, and I was wondering if any studio owner in L.A needed a free intern. I have lots of knoldge about studios, and I've worked in mayor label recordings. So if you need a young ambicious person to help you out, please email me crazy_guitar@hotmail.com

Joz
PS: I know a lot about Pro Tools too

Hi, I'm a young recording engineer, and I was wondering if any studio owner in L.A needed a free intern. I have lots of knoldge about studios, and I've worked in mayor label recordings. So if you need a young ambicious person to help you out, please email me crazy_guitar@hotmail.com

Joz

I have Sonar 1.3.1 and a MOTU 2408 connected to a Sony DAT through SPDIF. The playback of the recorded audio is speeded up about twice as fast as the original tempo. Has anyone encountered this?

Hello,
Can any one describe the way they A/B
a mix on different sets of non powered monitors. I am currently using a speaker switcher connected to a single power amp.This works but I'm wondering if there is a better way?