Hey folks,

Hello

I just had my CD mastered at Sterling Sound in NYC. I plan on having 1000 pressed and printed at one of the plants (discmakers or groove house records maybe). There are some level adjustements I would like made based on their reference CD (I'd like one song raised up and the overall level higher). So here's my two questions:

I have a CD that's been mastered and is ready to be sent to get a couple of thousand pressed up.

...however...

There are just a couple of gaps that I feel could use a second or so more "breathing space" before the next track begins.

What did you guys think? Refreshing to see somebody loke Nora Jones. Sings like an angel. Ravi Shankars daughter? Hope the pressure dosen't get to her.

Hello all,

So I bought this band's new CD and I couldn't get through the first track, I opened it in peak to see what's up and guess what ? the whole CD looks like a friggin' square wave, is this the new trend or what ?

Thanks in advance for any help or insights on this topic: Although I do keep a list of the frequency ranges of many instruments in order to perform EQ carving on mixes, there are many other instruments (such as synthesizers) which I have no idea what the frequency range is.

Hi,
first of all it's my first time here..
hellos to everyone !

lately working with T-racks for the mastering..
wanted to get your opinions..

thanks
Xcarnation

How many of you guys use a stereo expander to obtain more clarity in mastering . and if you don't what other methods you use to clear up the two track stereo mix?

If I have a 24-bit audio project and burn it to CD-R as a data file (.wav), does the file retain it's 24-bit properties?