Okay in this climate of every man and his dog having some Waves plugins running under Wavelab or whatever, what are the DO's and DONT'S if mixes are going to be sent out to a mastering house?

Hi friends!
For those who do not know what is Fibromialgy, it is an intense muscle/nerve pain due to stress, few sleeping hours, anxiety and so. It is awful, hurts a lot and does not have a proper cure for it.
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Hi everyone,

A sucker born every day.

LOL! http://mihorn.com/i…"]Speaker tweak (get a load of this BS)[/]="http://mihorn.com/i…"]Speaker tweak (get a load of this BS)[/]

Hi friends! In early 90's, referring to 44.1/48k/16 bit masters coming from DAT machines, SVHS ADATs and so, people urged mixing engineers to stay at o db at the louder passes. However, nobody had a real reliable clip counter.

I have lost the number of how many times I received DAT tapes for my junior mastering with up to 64 clips at the left or right or even both channels.

I went to a show in New Orleans a couple of months ago. I went to record a band I admire very much (Deadboy and the Elephantmen).com I had my AKG C3000, and a video camara. Well on the way down there my mic got busted up with half of my luggage. So I just recorded the show with the camcorder's mic. Well I knew It wasn't going to be good, but I didnt know it would be this bad either.

This is a little beyond the scope of this forum but I was hoping someone would know a good source for reference. I need to do a technical paper on CD manufacturing with an emphasis on materials and processes beginning with the glass master. Any ideas?

hey maybe some one has a view on this
I'm using Cubase 5.1
and I'm about ready to bounce the whole project to
a two channel mix.
now Cubase is currently set at 32 bit recording at 44.1.
there is realy only a few audio tracks the rest
are Vsti which get rendered upon export.
i have the option on export to up the sample rate

I Left a post in the mastering section tell those guys " mastering is Overated"... and that it's only a song .., I can just imagine what theyre really saying (aside from the sarcasm). Why I did it ?

If I digitally load 44/16 mat'l into the DAW at 44/24, am I gaining any resolution?, or is the DAW just recording extra 0's?

Do plugs profit from the extra bit room?

Also, if I have a 44/24 file in the DAW and digitally dump to DAT or CD-R, what happens to the other bits? Truncated?, or what?

:confused: