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1/2" analog (SR?) or Masterlink?

Could I get some feedback on what you guys are using more typically for a mixdown medium?

A while ago I picked up a Fostex E-22 1/2" 2 track (15-30ips) and am pondering whether I should get a couple channels of SR for 15ips mixdown or junk it and get a masterlink. Or is it really worth it to have both these days (analog and digital mixdown formats)? Any feedback on SR at 15 ips?

Styles Bitchly

Has the thought occured to you that from my posts you do not need to come to florida since wave files via the net only take 12 mis each(24bit 25 to 30) to x fer right into the studio here for a demo ck out>?

Why get on the plane (even though this 20C weather is nice) when you can travel at light speed?

PM me..I can help ya..

My first high-end gear for mastering.. which would you r

Hi friends..

I think it is already time to leave junior school, project days where I do everything with pluins, digital console and PT.

I do not want to sell one kidney, but which would you recommend me as a "pro" entry gear for more serious mastering?

I just do not want to be seen as "one more guy playing mastering stuff with plugins.."

Surround sound mastering

I finally mastered my first surround sound release for DVD-A. This was tons of fun. It really took a lot out of me mentally but i'm sure it will get easier the more I do it. This is kind of in response to Don's "will SACD restore dynamics" thread. If you have the monitors calibrated correctly and you monitor at a decent level, it's really uncomfortable to push it to the max.

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