Y'know Ive seen in stereo at a bar after a few too many in my younger days, but don't know where to buy a reasonable priced stereo bar for precise and repeatable mic placement . There seems to be no middle ground - either way expensive (DPA) or way cheap (atlas), any ideas?

Thanks
Tony

https://www.behring…

New SRC2496 Sample Rate/Format Converter from Behringer
January 22, 2002

Not sure what the difference really means to a mix, but do you guys recommend one over the other, pre or post fader, when dishing up reverbs on your tracks?

Somebody asked this question in another forum and I am very interested in the answers and suggestions you guys have because this is a rig I can afford since I already have most of the things.

I would like all ye experienced guys out their to tell me what is missing (or rather what else you recommend for a demo studio).

For me, it was a path full of 'revolution' 'going on strike' threats, aggravation, upset many fallings out - annoyed studio owners / artist managers & occasionally (regrettably) pissed off bands.. ll in all, a 'fight for the right'.

Session starting in a couple hours. But my monitor mixer 1604VLZpro has developed a nasty problem. It's as though there may be a cold solder or dirty connection somewhere across the mix L/R bus. The right channel goes away completely and left is very low in level. But a loud plosive sound though a mic will bring both channels back to full level.

I have tested TC helicon prisma plus and Waves Mechanics PitchBlender (on PT). I didnt have chance to hear EVENTIDE H-3000 ... Please tell me what is a difrence between those efects, if there is?

I am looking for good multi fx!

What about eventide eclipse anybodoy?

I've opened Pandoras box>. Will this upgrade sell more records than before. No, but it will be fun getting new stuff to play with! I'll probable wait untill all the 3ed party company's issure their HD upgrade paths. I do think the reason the DH isn't backward compatable is because of pirated software.

Which Box is the better one?

Hi there all!
What do you guys do when the A&R,artist or
the band whants a premix (my recordings
usually ends up in my Pro Tools before I mix it
on Neve or SSL) straight out from PT. Do you
bounce it, burn a CD without doing some
¨premastering¨ or do you master it (L1 or Maxim) to get the level up so the A&R guy don't