OK, so I've gotten all the propaganda from Cakewalk telling me how badly I need to upgrade to Sonar. I have to admit I've only read some of it, because it's usually just too much and I'm too busy to actually sit there for an hour and read all the gory details. Besides, I'm really not all that bright. can anyone give me a real comparison of the significant differences?

Thanks!

Julian Standen
duc.digidesign.com/cgi-bin/ubbcgi/ultimatebb.cgi?ubb=get_topic&f=2&t=005871

Tune in!

:)

http://duc.digidesign.com/cgi-bin/ubbcgi/ultimatebb.cgi?ubb=get_topic&f=2&t=005871

:)

don't have a manager? need a way to stay "contactable"? list your discography and contact details in the rpm direct producer/engineer database directory. registration is free and they have A&R depts, publishers and film/tv music people supposedly subscribing for access to the information.

In a 192Khz mastering session, we create by bouncing a 44.1 master file for CD. Besides the tweakhead SRC that Pro Tools offers, what other options would you suggest?

how do yall deal with yr pricing and payment situations?

example: currently, i'm charging $35/hr recording/editing time [i hate editing]. and then i am charging flat rate for mixing [i haven't been mixing as long as i've been doing tracking, so i take my time to get it right].
i'm only charging $150 per mix [when i recording the thing].

1 : I got a guy that comes in to use my equipment 2 days a week...we have an RC-848 for the da-88's/38's. This guy NEVER uses rewind, fast forward or locat, instead he shuttles back and forth using the shuttle wheel...
I am SURE this is not healthy for the machines...am I paranoid?

Seems to me that most people that I know that went to recording school dont know what they are doing, when I comes to recording with presence and character. How many of the pros out there went to recording school? how hard is it to make it for someone that didnt go to recording school? i'm really young, and people say that my mixes beat a lot of the semi-pros out there.

i just wonder where the folks like to kick their recordings from, ie click track/solo guitar/gtr + base/drums + base + gtr/the full band/czukay's manager ecg tracing/etcetera

i understand that there are no rules, but there are preferences

some say that a threesome will provide the most stable rhythm, any opinions?

Hey all,

a friend and I are starting our own production company after a couple successful projects together and we're hoping for some advice.