Hi there!

Any feedback about any "stranger" (not enough advertised,less than ideal publicity...you know...) brand or piece or gear you ever played with?

Any little hidden wonder?

Hi,
I have a question for those who have heard, or worked with Digidesign's Samplecell 2 plus card.
How would you rate it given the current market of low cost hardware / software sampler options ?

The best plug comp I have is the Ren Comp, but it sounds to loose. I want something that's going to really make the drums pop. Is there a good plug (rtas) for this, or is hardware the only way to do it well...if so, which box?

Thoughts please. I have a small "studio" that I am building up in my garage (yes, I am one of those). The only method of heating and cooling is via a window unit mounted to the outside wall and not in a window. I have thought that I could build a wall between the air cond. wall and my proposed control room.

Who would like to have a cover story on their studio? I would like to promote one, maybe two a month, free for our members. You give me the goods and I'll post it on our newly designed portal.

Any takers, email me.

Hi! Anyone know of any CD's done all analog (CURRENT) and similar genre CD's done all digital, both having gone through decent mastering suites? Current recordings, rock,pop,dance,hip hop ,jazz,classical prefered; at least I'll have something I can add to my collection I would listen to again =) Thanks! Nikki =)

You have to buy one of the following mic preamps or the world will explode. (Decoded meaning you have some spare cash and the voices are telling you must ABSOLUTELY MUST blow it on a new pre.)

Your current options are:
2 channels of Vintech 1272
1 of X73
Buzz Audio
2 used AMEK 9098's.

Hi! I am about to make the leap from "home" studio to "project" studio (extra space for self -> dedicated room and iso['s]for self and local area up-and-comers). Currently, I am using a Mac (qs dp800, 1.5ram, etc...) with a MOTU2408,timepiece and express, running Logic Plat and DP3.

Hi, I'm going to be recording a band that's very influenced by Hank Williams, Lefty Frizzell, et al, and was looking for some information on the techniques used during a typical recording session from that time.

If anyone has any links or aneCDotes, I sure would appreciate it.

mb

Here's the problem: When I mix my instruments together, they lose their individuality. Everything seems to run together and turn into a pile of mush with no clarity or space for each instrument. They all seem to blur together and lose definition.
If I were working with lots of tracks and dense mixes, maybe I could understand. But all I've got is usually: