Reading another thread I realized I haven't seen much of your opinions about reverb boxes.

I HAVE seen posts about rooms, chambers, etc... and I have seen a "..and that's why I've hated digital reverb" post.

Any suggestions for acoustically challenged tracking areas, vox dream machines, or whacky verbs?

Any MUST haves?

Gentlemen, I'm about to begin production in a Mac home studio and I wish to get some active nearfield monitors. The least expensive/most affordable (In Canada)have come down to the Yamaha MSP5 and the Roland DS50A ... I took a CD in and listended to both of them .

Im sure everybody has heard the news or rumors. Has anyone have any insight to the future of the company though? I really liked them and was planning on getting the HD24 thing. No doubt the technology is here to stay but will Numark allow it to be had so easily ? Any thoughts?

Fletcher (and anyone who can answer)
I was going to send tis question as a private email, but then thought others might like to know the answer as well.

What is the difference between the Avalon 737 stock version and the Mercenary version. I know one is black :cool:, which I can't decide if that is cooler or if I like the "classy" stock look, but that don't matter anyhow!

I would like to find the notation/midi sequencing software of my dreams. I've been a Cakewalk user for quite some time, but their "staff view" doesn't do what I would want my dream software to do. Does anyone know of a notation/sequencing package that will notate/play midi in much the same fashion as sheet music is written (and performed)? What I mean is the ability to:

I would like to find the notation/midi sequencing software of my dreams. I've been a Cakewalk user for quite some time, but their "staff view" doesn't do what I would want my dream software to do. Does anyone know of a notation/sequencing package that will notate/play midi in much the same fashion as sheet music is written? What I mean is the ability to:

So i was recording a demo for this band the other day and had an old RCA ribbon on a guitar amp. The guitar player had the habit of dancing around when he took a solo and when he start shaking his fat ass in front of the amp it produced this wicked phasing, apparently because of the reflections off his booty shakin'. It was truly strange.

Can someone explain me the differences (hardware and power) between TDM 24, Mix, Mix Plus and the new one I think is Mix 3 or something similar...

Which sound better for overheads, hi-hats and bottom snares? :roll:

I am moving into a studio that still had one of those lying around. The one or two times I have put my hands on it, I thought it wasn't all too practical, but maybe I was too inexperienced back then (i knew nothing, pretty much).