Hi,
I have been using DP for about four

Where do you pro's see yourself in five years as far as recording/mixing mediums and formats? Do you feel that as conversion quality gets better and tape emulation DSP gets better that you as a pro will feel comfortable with all digital, or will you remain with a hybrid, say mixing on your favorite desk like a Neve or api like mixerman suggested?

I have been really digging some of the stuff he has engineered recently and I was just wondering if Glyn Johns is still alive. I'm figuring he'd be in his 60's or 70's by now...

Just Curious

Does anyone know where I can find details about the 528? Lotsof info about the 528e, but I cannot find how that differs from the 528. (I'm about to buy a used 528... That's why.)

Any info on the 528, how good is it, better get something else,...

Hahahahaaaa... a Glock'll do! Maybe a l'il Walther PPK... just something small I kin use on this digital stuff I just heard! It's =gotta= sound better with a bullet through the front panel! ;) Maybe a nice Mag load! .357'd be okay... maybe a 12 gauge Browning! Whatcha think?

Someone pointed these out to me. 64 bit processing, up to 24/96. They sound pretty good and the price is way right. Verrry scottish! Check 'em out and post your opinions.
http://www.db-audioware.com/

I've been picking up old Telefunken solid state modules whenever I can find them for almost free prices on Ebay or the local classified ads. I have picked up some incredbily well constructed and great sounding gear for almost no money. My latest find is a Telefunken ELA E130b, a two channel module that can control the stereo image width of MS or XY signals.

I posted this question at a couple of the other forums but I thought I would put it up here to see what the DAW world folks have to say.I run a small recording studio that does mostly demos and low budget indy releases. I prefer to have my mixes mastered by a professional mastering house because I don't have the tools and monitor set up to get proper results.

I posted a similar question in Harvey's forum without much results so I thought I would try here. I run a small recording studio that does mostly demos and low budget indy releases. I prefer to have my mixes mastered by a professional mastering house because I don't have the tools and monitor set up to get proper results.

Howdy.

I finally figured out how to program presets in this thing. I still can't figure out how to send different voices to different outputs. I aseume it's done in MIDI; any advice? Or, failing that, I'd love a pointer on where to take this question...