Is there a lot of loss in quality when recording to tape and someone keeps messing up so you have to record over and over? How much is too much, and the tape starts sounding bad?

Hi,
I have been using DP for about four

Where do you pro's see yourself in five years as far as recording/mixing mediums and formats? Do you feel that as conversion quality gets better and tape emulation DSP gets better that you as a pro will feel comfortable with all digital, or will you remain with a hybrid, say mixing on your favorite desk like a Neve or api like mixerman suggested?

I have been really digging some of the stuff he has engineered recently and I was just wondering if Glyn Johns is still alive. I'm figuring he'd be in his 60's or 70's by now...

Just Curious

Does anyone know where I can find details about the 528? Lotsof info about the 528e, but I cannot find how that differs from the 528. (I'm about to buy a used 528... That's why.)

Any info on the 528, how good is it, better get something else,...

Hahahahaaaa... a Glock'll do! Maybe a l'il Walther PPK... just something small I kin use on this digital stuff I just heard! It's =gotta= sound better with a bullet through the front panel! ;) Maybe a nice Mag load! .357'd be okay... maybe a 12 gauge Browning! Whatcha think?

Someone pointed these out to me. 64 bit processing, up to 24/96. They sound pretty good and the price is way right. Verrry scottish! Check 'em out and post your opinions.
http://www.db-audioware.com/

I've been picking up old Telefunken solid state modules whenever I can find them for almost free prices on Ebay or the local classified ads. I have picked up some incredbily well constructed and great sounding gear for almost no money. My latest find is a Telefunken ELA E130b, a two channel module that can control the stereo image width of MS or XY signals.

I posted this question at a couple of the other forums but I thought I would put it up here to see what the DAW world folks have to say.I run a small recording studio that does mostly demos and low budget indy releases. I prefer to have my mixes mastered by a professional mastering house because I don't have the tools and monitor set up to get proper results.

I posted a similar question in Harvey's forum without much results so I thought I would try here. I run a small recording studio that does mostly demos and low budget indy releases. I prefer to have my mixes mastered by a professional mastering house because I don't have the tools and monitor set up to get proper results.