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002 problem

Ihave been using pro tools for about 6 weeks now and everything has been fine. Now all of a sudden out of nowhere my computer has decided what kind of files should be assigned to pro tools! Every damn time I bounce to disk it turns into a media player file or a creative player file. I uninstalled creative and that got rid of that but media player jumps right in there.

Off Topic (WinXP)

I didn't know where to ask, so, as I always ask my questions here...

My computer is tottally F#$%$%¨up. Maybe because of a worm or something like this.

I want to format my HD and start all over, but I would like to save my email messages.

In winXP, where is the file with all the email messages (outlook express). Anyone knows the folder location?

latency problem

I have a Digi 002 rack & Pro Tools 6.1.1 with bundled software, including Sample Tank SE. I have a custom built 2.6 PIV with 512 MB ram. This gear is a fairly recent acquisition, so I have a lot to learn.

I would like to minimize the monitoring latency while playing (& recording) a SampleTank instrument e.g. piano, so that it doesn't affect my performance.

Best 32/8 recording mixer under 3k.

:) Not kidding, an ambitiuos young studio owner expressed that his client's, before even considering doing business, ask "How many tracks you got on your board?".

This is common to a particular culture of Island Hip-Hop. So, I told him I would ask around. I told him to get the best one you can, within your budget.

Any suggestions?

Thanks,
--Rick

The Tale of a Plexi, a Mp-2nv, and a C42

Hello all,
I spent the better part of this afternoon trying to mic a 50 watt plexi with 25 watt greenbacks. I was shooting for a tone ala Angus Young. You know the deal, Gibson Sg--->Marshall--->Mic--->Pre--->Tape. I had the Plexi set to 3 1/2. Not that it made much difference, my ears are still bleeding and the neighbors are rioting outside my door.

star quad cables?

I was reading an article about Micing choirs and the writer advised that normal 3 prong XLR cables were insufficient for live recordings due to length of run and height of microphones. The danger was picking up radio broadcasts with suspended or elevated mics. He advised that only star quad cables be used - 4 conductors plus a braided shield.

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