Hey,

Just wondering about the furniture (desks, racks, etc.)in your studio .

Is it custom made?
Price Range?
Are you more into form or function?
Are you happy w/ what you have?
Do your clients comment on it either way?

hello everybody,

I teach school, sing bass in a small time southern gospel quartet. ANY free time I spend in my basement studio. I can do a decent job with instruments, solo vocals and even backup vocals. BUT, four part harmony like our quartet sings, I can't start to get a handle on. I can get the four vocal parts to sound ok by themselves but when I put them together they sound BAD.

me and my friends live in the boonies. There is a barn with a silo at my friend Dans house. Its empty. When you go into it, there is a whole nuther world of sound in their. Millions of sciencefiction type sounds possible.

It would be a nightmare control room, but maybe would could tame just enough of the nightmare so we could do some exploration in the world of sound?

Hi friends.

I am loking for a 8 channel preamp.
Does anyone know the Audient asp 008,
has anyone used it and to what would it compare to?
I've seen on this forum the Sebatron vmp 4000, is it mutch better?

how about spl or bellary?

Hi. i have a question that maybe someone could answer?when tracking typical backing tracks,bass,drums lead and rhythem guitars and keys which should be recorded in mono and which should be in stereo also normally would a vocal be done in mono and then a stereo reverb added at mixdown and typically where would you pan the tracks. thanks for any advice on this Jim.

Hi there
please don't go "doh!" at me. .

I'm A/B'ing to LDC's right now. (An ADK Model S and a SP B1)

I made a few takes, vocal and speech, the first mic makes big healthy Waveswith the gain control set between 11 and 1 'o clock. Everything is fine.

If I'm using soft synths and sampled sounds, does the soft synth software actually make any use of my sound card or does it generate the sounds totally independent of the sound card?

If they are independent, does it matter if I have a crap sound card?

I currently own an SP C1 mic.

I like it on a few sources, but overall it seems to impart a metallic sheen to the signal that can easily be overpowering on cymbals, mandolin, steel, and other instruments that are already rich in high frequencies.