Hi I'm after a Sennheiser mkh50 please mail me at
souvenir@ihug.co.nz

Hi,

does anyone know the Fostex Foundation 2000 in detail ? Or is there an online manual available somewhere ?
A new facility here will be using it and I'd like to know a bit about it...

Thanks,

Matthias

A friend had some tracks laid in NASHVILLE. He came back here to lay the vocal and left it with me to mix. Well as I started to play back the tracks, I noticed that the bass( drums also) are just horrrrrrrible! I mean it's nasty. In my opinion the bass player should be spanked for allowing this sound to slide...

So I was asked to bring my Delta 1010 based DAW to record a matrix mix of a show this weekend (stereo soundboard +stereo mics)

During a vocal recording today, I noticed the occasional click on the recording (similar to that created when a digital system can't quite cope or it's clocks are out of sync) about once every minute or so. After checking all of the clocks etc. I realised that it was coming from pre-ADC source (I saw one spike on the pre-amp during a take). The mic is a Manley valve Reference.

I've always wished I didn't have to be my own engineer, but being poor ... well, you all know the story. But I'm also a gear and gadget lover. So what drives me absolutely bonkers is when I see an ad for something that sounds like something I REALLY REALLY NEED but I don't have a clue what it does ... like this from the Musician's Friend website:

CX3400 Super-X Pro Crossover

After joining a friend's recording session I realized the extreme advantage of dual monitoring, but I can't get a grip on which the specifications should be..

Someone posted a while ago a website from Germany where we could get the ADI 8 Pro for around 970 bucks... I remember the site having different currencies where you could choose from... anyone remember that?

What if I had the following setup:

1 RME DIGI9636 (card)
2 RME ADI 8 Pro

How my clock set up would be while using DP 3?

Howdy,