Hi All,

I just got a pair of 603s' today. I am very excited to try recording with them, but I have a few questions already.

1. Why does it say Mogami under the 603s logo?

2. Why is the bag that it comes in just a 1/2 inch too small to accomodate the mic with the clip attached?

3. why is there a camel on the zipper?

Thanks,
Ken

I was wandering if someone has tips/literature on how to modify/maintain small consoles. I have a Tascam 2524 and I want to clean it, make sure everything is OK insde the board, wires and stuff... and if possible, make it better...
Thanx for any help! :)

I have 2 44BXs which were both rebuilt and blessed by Charlie Gand before he passed away. They've both functioned well for years. In my new studio I seem to be in a substantial 60Hz EMF field (I think from the high voltage running down the street outside). Both the RCAs hum (which I can null out somewhat with position) but one is much louder than the other.

Glad to see this forum is here for Core 2 users; even though the card has a bad rep...
I'm currently building a new PC for my DAW hoping it'll work out some of the problems I've had. I've been using an AMD K6 2 500, but have come to realize that I probably need an Intel machine... Anyway, hope to hear from other users (if there are any here. :) )

I have been having a very frustrating ordeal with trying to get rid of the clicks/pops/noise on my recordings. I have been very thorough about trying many optimizations but nothing has worked yet. If anyone could help me I would be forever in their debt..

Hiya. Deciding it's time to add a sampler/sequencer to my home studio rig (I'm in a race to catch up with the 80's :roll: ) which is based around an Otari MS-5050 8HSD, the reason being I don't think I'll ever have the propper space for a drum kit. So the problem is I have no idea what gear I need to do MIDI sync.

Hey guys
I'm after a bit of legal type advice... here's the deal.

I realize that many of us with small tracking facillities can't get necessarily get something like the Dunleaveys (sp?), for mastering but I would like to know what you mastering experts consider the criteria for your monitors and what your choices might be.

Anyone have any correct info on the differences between current 414UBLS, TLII, and the 414EB. I understand some of the early EBs had C12 capsules? Sonically what's the difference?

thanks,

raregroove

I have been co-writing with someone. What it the best and most simple way of writing up an agreement?

Does anyone have something that I can copy?

Thanks in advance