Hiya. Deciding it's time to add a sampler/sequencer to my home studio rig (I'm in a race to catch up with the 80's :roll: ) which is based around an Otari MS-5050 8HSD, the reason being I don't think I'll ever have the propper space for a drum kit. So the problem is I have no idea what gear I need to do MIDI sync.

Hey guys
I'm after a bit of legal type advice... here's the deal.

I realize that many of us with small tracking facillities can't get necessarily get something like the Dunleaveys (sp?), for mastering but I would like to know what you mastering experts consider the criteria for your monitors and what your choices might be.

Anyone have any correct info on the differences between current 414UBLS, TLII, and the 414EB. I understand some of the early EBs had C12 capsules? Sonically what's the difference?

thanks,

raregroove

I have been co-writing with someone. What it the best and most simple way of writing up an agreement?

Does anyone have something that I can copy?

Thanks in advance

Heya,

I've been shopping around looking at the stand-alone units, and I like the feel and layout of the VS1880. I've also been looking hard at the Yamaha AW-4416.

I read on another forum that the G4 733 is now $1,700 - from $3,500..Anyone know about this?. What's up?

Howdy

Well, I've broken down and purchased GigStudio 160. This is after about 2 years of thinking about getting it. When I started thinking about getting it, I bought a PC (I'm a Mac guy) and now that PC (P2, 350) is 2 years old. I think this machine will work OK for smaller polyphony loads but we're not going to be using it to do, say, the Magic Flute.

Im just starting to acquire some high-end gear in my Project Studio. Im slowly weeding out the names like Alesis and Mackie, and Replacing them with names like Pro-tools and Focustrite. . Anyways. One thing Im not sure of is my D/A Converters. At the moment Im running Pro-tools Le (the digi 001) set up. If I buy a stand alone D/A converter, will I notice a different.

I need feed back. .