I want to add a couple to the collection...

Disregarding the fact that UA jacked you around...

What would you buy and why?

Thanks from and ex-Bostonian.

question: which card to prefer...

a)RME digi 96/8
or
b)creamware luna II

...and why!
(luna seems to be more versatile, but what about soundquality, latency etc?)

thx

Has anyone used a cordless mouse and/or keyboard with a DAW?
Is it "safe" or should one be concerned with disturbance issues when recording audio?

Sorry if this is a stupid question, but I was suddenly wondering, as I'm thinking of getting those gadgets. :p

Regards,
Fredrik Lidin

Mine's in..can't wait :p

Here's a thread for tips..this one from Les at Motu.

>>Dither in the Audio menu only applies to audio operations that convert 24-bit to 16-bit audio. Examples of this may include converting 24-bit to 16-bit audio, computing crossfades, processing 24-bit audio through Premiere effects (which is a 16-bit architecture), or tranferring 24-bit audio to a sampler.

Anyone know where I can get a copy of the
ADAT optical specification. I'm hearing lots
of "spec"ulation, but can't seem to locate
an actual document (or someones reverse engineered version). Any help appreciated!
Thanks
MB

Currently in the strange situation of having a complete 8 track analog studio without the 8 track. (it left with its owner). Until I buy my own this summer, I'm having a blast doing the "live to 2 track" thing. Talk about a learning experience! Mostly basic rock stuff: trio with a singer or two guitar, Beatles-like lineup. When recording with 6 to 8 mics to two track, there's no problem.

Hello,

Just another newcomer (to these forums) looking for gear info.

I'm looking for info on a Trident Series 65. I am familiar with the 80's, but that's it. Any one have ideas on how the 65's compare to the 80's? What about their value? Ok, I'm looking at buying a studio that has a 65 installed. Just wandering what I could be getting myself into.

Thanks

Really hoping someone can send me a brainwave here.

ProControl is soon to be a thing of the past in our "A" room. Rather than use Pro Tools A/D/A stages to interface all of our "cool guy" analog comps and EQ's, we are ditching the Pro Tools-as-mixer paradigm and going for something analog. Long story as to the 'why' of it, but this is the direction.

Hey, i'm new here and about to buy Pro Tools. when i saw the pro control 24 (and the 16 preamps!), it made my decision to buy Pro Tools a lot easier.