Anyone know where I can get a copy of the
ADAT optical specification. I'm hearing lots
of "spec"ulation, but can't seem to locate
an actual document (or someones reverse engineered version). Any help appreciated!
Thanks
MB

Currently in the strange situation of having a complete 8 track analog studio without the 8 track. (it left with its owner). Until I buy my own this summer, I'm having a blast doing the "live to 2 track" thing. Talk about a learning experience! Mostly basic rock stuff: trio with a singer or two guitar, Beatles-like lineup. When recording with 6 to 8 mics to two track, there's no problem.

Hello,

Just another newcomer (to these forums) looking for gear info.

I'm looking for info on a Trident Series 65. I am familiar with the 80's, but that's it. Any one have ideas on how the 65's compare to the 80's? What about their value? Ok, I'm looking at buying a studio that has a 65 installed. Just wandering what I could be getting myself into.

Thanks

Really hoping someone can send me a brainwave here.

ProControl is soon to be a thing of the past in our "A" room. Rather than use Pro Tools A/D/A stages to interface all of our "cool guy" analog comps and EQ's, we are ditching the Pro Tools-as-mixer paradigm and going for something analog. Long story as to the 'why' of it, but this is the direction.

Hey, i'm new here and about to buy Pro Tools. when i saw the pro control 24 (and the 16 preamps!), it made my decision to buy Pro Tools a lot easier.

Since the Nuendo forum is down again today (they have had a lot of hacker and dns related problems at Steinberg... poor guys!) I thought I would share my lastest bug discovery with the new crew here.

All the pitch shifters I have found are formant based designed for a single monophonic sound. Are there any good pitch shifters in VST format that can work just like an Eventide 910 or 949? I'd love to pitch up and down a few cents, and even better I'd love to feedback the effected sound back into the pitch shifter to create that killer 70' effect.

Any advice?

steven john

So a friend of mine wants to get into recording digtal and wanted my advice for a sound card. I told, as I do everyone else, get th RME Audio Hammerfall. He asked if he would really need 26 channels. I responded with, "not yet." Problem solved.

hi,
after a lot of lurking around,and some investigating, I've finally got my 2" 24 one week ago. It is a Tascam ATR80/24, with remote and auotlocator.
The audio shop where I bought it from, got me 4 used reels, absolutely unusable.
Anyway, I started to look for new tapes, to get a small archive, always ready to work.

ok. so i need a good stereo compressor. preferebly no super expensive.

these two look lik egood options:
the pendulum electro optical compressor, and the 1969.

and the 2 mic preamp's on the 1969 would be really nice.

but is the pendulum better enough to warrent no getting 2 mic preamp's and a DI for only 250 more?