This is quite hard for me to put into words because I'm pretty much a noob in the Fireface Mixer.

I'm trying to use one of my output channels on the Fireface 800 to reamp my guitar DI's.
And I want to use a mono out on the Fireface to the reamp box.

Im running Abelton live lite 8 along with Focusrite saffire pro 40. When talking into the mic i can see the levels fluc on saffire mix control and abelton but when I record and playback what i recorded...i hear nothing. i can see the wave and all in arrangement view. but i hear nothing. What can i do? I running the sound out to headphones plugged into the saffire pro 40. please and thanks

I am in DESPERATE NEED of MORE PRESENCE in vocal raps! Right now my current setup is a Shure KSM27 condenser mic plugged straight into a PreSonus FP10 Firewire interface into my macbook pro i7.

i got a 55.00 gift cert. to sweetwater from my girls for a birthday. bless them i need a few more zero's behind that anyway most of my work has been touring. I'm new to this recording world but i was thinking maybe a pop filter are there any out that that you could buy in that price range thxs for any input in advance. i've been busy recording and not having to get on a bus or plane. peace

With all this talk about compressors giving a "flavor" to a sound, I've begun to wonder about noise gates.

I've been tinkering around with 2 of them on Cubase. Am I actually hearing a difference in the sound or is it my imagination? The two are set to identical settings.

Hello,

Who knows Lafont console? Can we compare with Neve, Audient, SSL, AMEK gear?

I need technical information about Lafont Privilege and more. Who can help me?

THX

Both are very good mics that anyone should be able to achieve good sound with. The SM57 is a classic and many classic and modern guitar tracks have been recorded with them. The Heil PR20 is a different sound and sounds more balanced to my ear. Fuller on the low end, easier on the brightness, but one drawback is that it seems a little busy in the mids. Little EQ to fix this, not a big deal.

Very impressive AKG video :

I love mine, built a studio to the owners specs (independent frames, tons,tons of drywall), and landed a job as a staff engineer, i also seem to be the one (unofficially) heading the marketing.

Man, I hate to dive into a new converter right now because I have a feeling something new is coming. I've been holding off on investing but its coming down to the wire for me.

Anyone have any suggestion, choices? Lynx Aurora vs Apogee?

What interface would you choose as well?