I read that if you have a better mic preamp than the ones in the 002 you can use the optical ins/outs so that you can bypass the pre in the 002. My question is this: What if I need my sampler to be in sync with my 002 (drums, etc)? Will I have to switch every time or is there a less complicated way than this?

TIA and have a great weekend

Hi everyone.. . I'm trying to do something that seems nearly impossible, but somehwat easy. . It's just I can't get it right for some reason. . I apologize if this has been posted to the wrong forum..

I need these three devices to chase the same clock source. I want the main clock source to be from the Rosetta. I will be recording 2 Channels from the Rosetta Via S/PDIF and 8 Channels from the Octane Via ADAT.

-The Rosetta has WC out, ADAT out, and S/PDIF out.

-The Octane has WC in & out, and ADAT out.

the one thing i hate abt digi 002 is that when i switch from one application to another it insults and say sorry pal the device is busy rendering services to other software so get rid of that application and then work. and as soon as i do it sometime it works with other applications and sometime i have to re-start my pc. it just get stuck i mean the digi 002 does'nt contact with the computer.

How simple is this? Does the 002r take the midi direct or will I need another outboard gear option to do this.

What I want is each trigger to be on a sperate track in PT LE so I can mess with each signal individually.

How to I guess.

I have the Roland TD-6V as the main brain to the kit.

Thanks

hi i have a Digidesign 002 wichi has a four built-in mic preamp inputs i also have Neumann TLM 103 Mic which is a condencor mic ... so my questions is that after having that do i still need a mic preamp for warmth in recording vocals acoustic guitars and percuisions... plz tell me...

How simple is this? Does the 002r take the midi direct or will I need another outboard gear option to do this.

What I want is each trigger to be on a sperate track in PT LE so I can mess with each signal.

How to I guess.

I have the Roland TD-6V

Thanks

Hello,

Hello All,

New to the forum, appreciate all the great info.

I'll try not to waste your time, I know some, if not all of this question, has been answered before. What i'm hoping to find out is a 'complete signal path' (if that's the right term) from mic/line into DAW.

Okay I have a chance to get a 2 channel Apogee Rosetta AD with the 24/96 upgrade for cheap! I'm currently running PT LE with a 002.

If I use this unit, I will of course have to do my sessions in 24/48 because I will use the rosetta's ADAT output. Is it worth it to go from 24/96 down to 24/48 just to use an Apogee?