Since I learned that every instrument has its fundamental and harmonic place in the frequency spectrum my mixes are much CLEANER and each sound has its own little spot that it sits. The end result? I can hear everything no matter which system I playback on.

Is there any validity to high frequency loss during vocal recording with the use of store bought pop screens?. I have been reading a thread on another site and these guys SWEAR there is a marked difference. Using my son as a variable "hissing machine" for starters, I did a with/without, and honestly heard no difference. I have fairly well trained antennae.

i've seen some priced at 100 dollars each.
i've heard if you can make it sound good on crap then it can sound good on anything.
any suggestions on where to look first?

peas.

Is it possible that mic frequency response can vary with the temperature of the microphone? I recently used two Shure KSM-32 mics, that had been inadvertently stored at around 50 degrees F, to record a grand piano. These mics are generally pretty useful for the piano but the results in this case seemed better than usual.

Hello,
I've been reading some tips here on splitting for example the bass or guitar at a specific frequency and panning/processing the two signals different.

Im using Digital performer, can anyone tell me which plugin lets me do this in there?
Thanks
/Peter