Folks,

I saw this question in the ZED R16 thread, but wasn't sure if someone answered it:

I are a engineer (electrical) played in a band in the 80's. So my sons have picked up guitar, drums and vocals, added two friends and boom they have a band. Played a high school gig it was great.

Now I want to capture the live events and record it has to be easy and quick and light.

Hello, friends!

I'm newbie here but I have recording audio by years..

I'm thinking about use a presonuns StudioLive16.4.2 (or 2 linked units) with a dual core notebook that have not a firewire port so I would buy a firewire express card.

Does anybody knows if these firewire express cards are ok with the studiolives?

Very Thanx!

My daughter is going to get [="http://www.sweetwater.com/store/detail/Live8Edu Ableton Live[/]="http://www.sweetwat… Ableton Live[/] for a class, and I was wondering if the instruments in the [[url=http://="

For those looking for a live console with recording capabilities, WHAM! I just received the StudioLive 24.4.2 . See the whole layout in our news section.

http://recording.org/content/614-studiolive-24-4-2.html

I'm looking for insight as to types of equipment to use for drum sound replacement/enhancement using mics in live settings.

I am looking into getting some drum mics for both live and studio. We do play a lot of styles of music from straight worship to Heavy Metal. Our main style is Metal though. Because of this I want to get the appropriate mics to get that metal sound. Good high-mids on the kick, nice pop in the snare, lows in the toms... What is your experience with these mics?

I'm recording a band with a horn section, not too experience with horns especially in a live in the studio scenario

There's an sax, not even sure if it's an alto or tenor and a trombone. I did a rehearsal recording for them and used a 57 on each, it came out pretty well considering drums, electric guitar are blaring away as well.

Hello all. I am new to live recording and I wanted to look into a pair of mics I could use to record at small clubs and venues. My thoughts are this – to be able to run a signal from the board when the engineer is cool with that and have the pair for additional recording. Or they would be my main recording devices when I couldn't get a signal from the board.

I've been practicing for my live show with a friends PA system, but the way I'm currently mixing everything isn't working out too well.