The last text I wrote,my problem was clipping in my mixer. I found out the problem and now I need advice on my vocal chain for the future. Moonbaby post this

I
just have to say that taking a Grace and plugging it into the mixer is a bit like putting a Masseratti engine into a Fiat (the French tried that once and called it a Citroen).

I've recorded our lead singer several times over the last month, trying to eliminate a "buzzing" sound. The buzz is only present when the track is exported to a wav file, then dropped on a CD for playback. I've recorded other voices and they don't "buzz" when dropped to a CD. I've tried adjusting the gain, different mics, different effects & settings, no effects. nothing helps.

Hello!

i've been reading on user comments on the top microphones available today. i missing two particular contenders. has anyone had the chance to compare these with todays bests? (eg. ELA M 251, C12, U47, C800G etc):

-Brauner VM1 Klaus Heyne Edition (this one supposed to rock, and it has nothing to do with the original VM1)

-Brauner VMA

Iwant to buy a condensor vocal mike but can only afford 200 - $300 can anyone tell which mike will give me the best bang for the buck, I will be runnin it into a eurorack mx602a into a Roland VS 1680 I will be doing mostly rock vocals and am new to this,the help would be highly appreciated.

i'm about to do a demo mix for a client i really, really want to get. his voice is great and vocals are well tracked, so how about some mixing tips and tricks to get a great and interesting vocal sound?

i'm using a digi 002 and i have the Wavesplatinum bundle, altiverb, the digi 002 bomb factory bundle and vocalign at my disposal, as well as a distressor outboard.

thoughts?

Hi I'm searching for a vocal multi effects under 600$ must be rackmountable, do you have any suggestion for something good ?

Thx

MAG

Some mics are good for at least two different uses. Some are good as vocal and OH mics, others as OH and AMP, or AMP and vocal,... whatever. Which could be a good deal in order to satisfy these 3 different recording situations, or at least 2 of them.

I currently have a Blue 8-Ball and an Oktava MK-319 that I use for vocals and use a GT Brick for my pre. I must say that I'm not fully satisfied with either of these. Luckily, I got them both really cheap!

I want to step up to a mic for about $1000-$2000. No more entry level large condenser mics. I want a keeper. I dont need all the patterns in my project studio, just for vocals. First thoughts are a Neumann TLM 193 or equivalent. I keep getting told just to buy a U87, but I cant seem to justify the expense if I dont have a use all of the mics patterns. Led Zeppelin/Zebra style vocals.

Well I'm new here, so excuse me if this has been asked before or I'm in the wrong forum. I tried using the search, yet i cant seem to search by topic only, leaving me with over 400 pages of results :roll:

So, i was eyeing the Alesis Sumo 300. Im looking to just use this for practicing, and maybe as a personal monitor for live performance.