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Separating Vocal Soloists from Orchestra

One enduring "problem" I wrestle with, (apart from digital audio theory ) is the one of where to position vocal soloists to get separation when recording them with orchestra.

We have tried sessions with them up the back behind the percussion with cardioid spots, nulls back to orch, but they complained that the image of the conductor in their binoculars was too small.

Recreating the Classic Vocal Sound heard on Old "Standa

I love the sound of the vocals on old standard records,
such as those recorded by Frank Sinatra, Ella fitzgerald,
etc. I am looking to invest a modest $$$ amount($1500-$2500) in a new microphone and preamp / compressor, that would help me to get that full bodied, warm, yet clear sound that can be right up front in a mix..