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Dealing with a lot of vocal tracks.

I am in a session where I have numerous vocal tracks. Beside the lead vocal there are two tracks for soprano, alto, tenor, and bass parts for a Worship song. In regards to mixing, I will pan each group in a different spectrum from left to right. However I am wondering, are there any general guidelines you could suggest in regards to EQ, fader levels and compression.

Microphone test of vocal microphpones

A couple of Danish producers/engineers, among them Mr. Allan Bregnedahl and Torsten Matthiessen, got together this summer and tested as many microphones as they could get their hands on. A very interesting test, and I thought I would link to it here. It's in Danish, so I will just translate the introduction:

"The Great Microphone Test Vol. 2