Can anyone give me some hints on the best Micing techniques for a grand piano? I have two SM57s and two SM58s at my disposal for this purpose. The show in question is in a 365 seat auditorium and will feature a vocalist with piano accompaniment. Thanks!

Just wanted to get an idea of how many Mix users out there are making the HD upgrade. Why, and what are you motivations behind it? Thanks.

Does anyone no what effect is used for the bongo`s on "what`s goin on?" with Marvin Gaye?

Has anyone done an internal mic mount for congas? If you've done it or heard it done I'd like your opinions, and if you haven't done it I'd still like your thoughts on what the issues might be--pros and cons, etc.

I'm looking at it ONLY from a 'cool install' point of view--on all other aspects I'm clueless. I've not seen ANY references to the practice.

Currently working with an act who's falsetto vox is a major part of the sound. I'm still not sure what mic to use with my Avalon 737. Will I be better off with a tube mic? Does anyone have any experience with this? Hmmm. wonder what the Bee Gee's used.

I am thinking about a career in recording bands from my parents basement. So much music equipment to choose from.

Right now i have a computer:
amd Athlon 1.2
60gig HD 7200 rpm
512 sdram
sb live 5.1 platinum
plextor 16x burner

a cheap microphone:
came with the system/sound card

No fancy test here, just me noodling around with a split signal out of my Les Paul. One line into a POD, and the other to a miked Marshall JCM-DSL2000 with a 1960A 4x12 cabinet.

Take a listen below and see if you can tell which is which?

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