hey - have only heard these once, on after the fact recordings - no experiece tracking with.

in what family of color would one place these with, clear/transparent - round - or colored?

am looking at picking up a 101 as another flavor

thanks in advance to all that share their ears..

I've been designated as the one to learn the ropes in Sound Reinforcement at my place of employment. So far, I've done sound for Joe Lovano, Leo Kottke and Tommy Makem, so I'm not a complete novice. I just feel that way sometimes. I'd like to appeal to the collective wisdom regarding the advisability of Mono vs Stereo PA setup.

Hi
I upgraded my pc system last weak. Unfortunately I'm not able to get running the MOTU Card in my system. The 324card, the connection cable and the 2408MKII all are okay, since they run flawless in my old PIII 650 system with Intel BX.
My configuration is:
Hardware
AMD Athlon XP1700+
MSI KT266 Pro2 RU (With onboard raid and USB2), VIA KT266A

I've read where you said you have some insider info on the new PT. how bout sharing the wealth?

I have a small home Studio with an 001. I am planning on cutting demo's and ideas for my band in my studio and want to get a good sounding mic preamp (2 channels) and a couple of mics (or 1 stereo mic) to use on overheads. I only got 1000-1500 to spare... any ideas?

I have a small home Studio with an 001. I am planning on cutting demo's and ideas for my band in my studio and want to get a good sounding mic preamp (2 channels) and a couple of mics (or 1 stereo mic) to use on overheads. I only got 1000-1500 to spare... any ideas?

is there a way to have the RO Nuendo Forum post/replies forwarded to my email address?

Sorry about the duplication (posted on eMagic as well) but I need some help...

I'm running a PC based MOTU 828 w/ Logic Plat software and I keep getting pops and clicks during playback and bounce-down. I have heard adjusting the buffer settings may stop this. What do I set them to? This is driving me nuts... :(

Thanks for the help.

zip >>

Does any of you have a good suggestion for clip-on mics for a Sax?

Usually this is more a live issue. But thats exactly what I will be tracking over the next few months.
The player wants to move, and not be limited by a mic position.

Thanks
Albert Jochems

Been doing a bunch of Jazz recordings this year and can never decide whether it's better in the mix to filter the acoustic bass mics below, say, 60-100, because of proximity boom or to leave it, turn down the bass a little and go with that more traditional sound which is less articulate, but fuller.