To all you digi-meisters out there:

have a great Holiday season, and hope you get some time to make some more superb music.

Dave

yo recording heads... in the near future i'm going to have to learn and work with the Neve 88r, although i'm quite comfortable with the vr/flying faders set-up's, is there anything weird or unique about the new desks that i should look out for(aside from the obvious benifits/complications of motorised small faders)?

here's my problem: i'm mixing this thingie recorded by someone else [mostly], and the kick SUCKS. no definition, just a big mess on the low end. D112, but still sucky.

simple question: how do you calculate specific delay times when the song isn't cut to a click? or if it is for that matter!

--owen

I just don't understand the asshole factor on R.A.P. Instead of trying to be helpful they just want to boost their own egos. It is like everyone acts like the comic book store owner from the simpsons! Sorry... had to vent.

So what is the insider info on the RNP? Will it live up to the RNC as far as incredible value at a great price? Will it be 1 channel? 2? Will they make a bigger version (8 channel)?

What is the word... I want all the info.

-Hev

Hello, need some help here:
I have one Focusrite ISA 110 and thought about buying a second one. Does anyone here compared it to an Avalon AD 2055, Massive Passive or other high-endEQs ? I want to use it for tracking and mastering.

Thanks

The D2424 looks like it has a nice feature set, at a very reasonable price. Anyone tried it? How does it sound? Reliable? How does it compare to the Tascam MX2424?

Any experience driven opinions? What are the pros and cons of an AMD cpu compared to an Intel (namely P3) for a DAW?

Thanks.

I think I've got a pretty good idea already, but could someone explain the process of "multing up " a signal, give an example of uses and common ways this is accomplished And how this would be, could be applied within the Pro Tools enviorment?