Okay. So you've had 3-5 years of making records out of your basement, apartment, & rehearsal spaces around town. You feel like you're actually able to hear the changes you make, and the tracks are starting to translate to other systems well (without major EQ changes in mastering). Your monitoring chain, mics and pre's are at or above most of the smaller studios around town.

Hey, I just posted this question yesterday, and got no response, so I had to figure it out myself. I did this, however, so I can maybe help others out here.

Hey, I recently got ahold of an old Korg AG-10 sound module. It's the first time I've used a separate sound module, and I have no manuals, so after finally getting it to integrate with my sequencer. well, here's my question.

I run a small studio and I am in need of some billing softwear. Any suggestions? Thanks in advance, John

I saw a Lyrec TR532 mkII for sale, and it looks very good on paper. I really would like to knwo if anyoen is willing to sare some comments on it.
Unfortunately the Deja-Google transaction seems kinda slow, and so even if I remember there was some post bout Lyrec products, I'm not able to get'em.

Have you got any hot shortcut-tips that makes the work smoother & more efficient?

/Mats

Anyone had any luck with one. I'm cosidering purchasing one. I want good action and a decent piano sound.
Thanks
Tim

Those "vintage" passive EQ units sure do sound nice, but the price you pay is the need for an extra gain stage. (unless someone has a better solution?) I need two channels of gain (30db or so) to compensate for a two channel passive Telefunken EQ I just purchased. A lot of the obvious choices are now being advertised as mic preamps so their prices have skyrocketed.

Check out our new pricing folks!
http://www.recordin…"]iZ Technology[/]="http://www.recordin…"]iZ Technology[/]

I do most of my recording and mixing to and from the Tascam MX2424. I use Samplitude to edit the tracks just like Pro Tools and send the edited tracks digitally back to the Tascam.