Hey RO'ers:

Hey everyone,

Hi Everybody,

i Wonder, why my mixes sound "harsh".
It was recorded at 32 bit float, Mackie D8B console.

Is this a dighter question?
i was using Waves IDR.

Hi everybody,

we recorded a few months ago some songs with an analog recorder with Dolby S.

We mixed yesterday but realized later that the dolby switch was turned OFF while we mixed (that explain the hiss) So now we ended up with mixes with hiss and hi end boost.

I record, mix, and master in Sonar through a MOTU 828. But something weird happens during mixdown...When I'm done mastering and I export the final audio from Sonar, there is a volume discrepancy. What I mean is, when I mix down through my MOTU 828, the final product is MUCH quieter than when I mix down through my crappy SB Audigy Soundblaster card that came with my computer.

hey big boys, how do you order your toys in an average session ?
I know there is no general rule, but do you place your eq first,> then compressor> compressor, etc.
What is your favourite gear, and how is it chained ?

which compressors would you prefer for mastering?

Hey guys,

I burnt a CD the other day, sent it off and it came back with an error of some kind on it. If I want to burn a CD for a pressing plant what kind of options/things to i have to check for? does it have to be disc at once? please help!

Im not a mastering engineer, and have never really had to put much thought into this.

Does any one out there use this gear. Here is my setup. Masterlink to Finalizer via Mackie digital 8 bus to MOTU 2408 to g4 to mbox.

I've shot this question via email to a couple of ME's, but have gotten no response. (I understand that you guys stay pretty busy). Well, I'm trying to save every buck I can on my next project, but it will be an enhanced CD. If I send the mixdown CD with the enhanced CD data on it, would it be a problem for you guys to master the audio tracks and then make a Redbook master enhanced CD?