I would like to get an idea as to how is it possible to get a piano sound such as Nils'?

A good example would be his lovely piece called Re:

The M7 upgrade will be a for cost hardware upgrade.

We are developing two new products. One will be a lower cost product that we are calling the M200, while the other will be our flagship M7 upgrade.

I'm using the MXL 770 along with the Behringer U-Phoria UM2. Now, the Behringer use to make a lot of noise until i updated a driver. I knew it was the audio interface since i disconnected the actual recorder from it, and the laptop still allowed me to record. Now after that problem is gone, i still find background noise when connecting to the condenser mic.

I'm wondering whether you always recording with Highest Sample Rate? Or... 44.1 will do?

Besides room acoustic, do we really need a B&W for Mastering reference? Or... a KRK 2.1 system will do? Perhaps, a Stereo pair does it job?

Hi,
I'm quite interested about this monster Behringer ADA8200. In fact, I'm quite confusing... It just like an Audio Interface, But yet it mentions AD/DA Converter! So, What is this? And All-In-One gear?

Can someone helps?

Calling out to all mic gurus:

I have an Acoustic Image Clarus Series 4 amp:
http://www.soundpure.com/p/acoustic-image-clarus-2-series-4plus-2-channel-amplifier/8177

As well as an Allen & Heath ZED10FX mixer.

I would like to keep this discussion to the mechanics, and not turn it into a political back and forth. I don't foresee that happening, but I just want to make my intentions clear. This is strictly for my own edification...