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Choosing opto-compressor

I'm about to get an opto-compressor for vocal-tracking as it's primary use. I have lots of comps but not one with an optical gainreduction element. My most commonly used mic/pre combination is my vintage Neumann bottle with M7 capsule and 1073 pre.

First, do you think I should go for a discrete LA-3 style compressor like the Langevin LOP or a LA-2 style tube design. I'm looking at:

Building A New DAW

My goal is to have a very quiet machine as I will be doing some tracking in the same room. This is the first computer I’ve built. Hopefully I have enough technical skill to put this thing together. :lol: After spending some time researching previous posts on RO (which have been a great source of info!), this is what I’ve come up with:

MS side chain / EQ recomendation maybe

Hey gang.

I wasn't sure where to put this topic at, it depends on the answer i get..

I've been reading about side chaining thru compressors and got a general idea of process and applications..

The ' ducking" concept i get

my question is more on the use of the EQ on side chain, with say the "de essing" solution..