I read a post on R.A.P.
I'd like to see this topic and possible a singing forum grow on RO so I snipt his question and added my opinion.

Ok, so I realize that this isn't a vocalist newsgroup, however, there doesn't seem to be one besides those geared towards opera singers, so I'll ask here since someone out there might have had some experience with this.

Hi guys,

I am working with a band who is one of the greatest hard rock bands I've heard in a while, except one thing, the drummer is not great. From what I was told, they made a demo and it took their drummer 3 days to get 2 passable drum tracks with a click.

Opinions on the Groove Tube VIPRE Microphone preamp?

I'm building a new PT/DP rig and was wondering... what's the best choice for a wordclock master these days? I've used Aardsync boxes in the past but I hear there are some cheaper, and maybe better, alternatives now. Lucid? Rosendahl? Or should I get a wordsync DA for my AD-8000 and use that as the master clock?

Hi I read the posts on the AMEK Pure Path and was curious, does any one have any opinions on the Summit/Neve MPE-200 preamp/EQ? It looks like the perfect companion for a Pro Tools system(analog Eq's with digital/midi recall).

AES31, the newest buzzword in pro audio.

Below is the bulletin issued by the AES Chapter in L.A. which is presenting AES 31 as the subject for their meeting on 31 July.

I was wondering if anyone out there has heard reports on this set-up and if it would be a worthwhile upgrade from a PIII 800mghz system?

I know first hand that mixing inside a DAW is a sonic compromise, but my question is this:

Please post your name, and the format you would need the multitracks to be in for mixing. If you can accomodate more than one format, put them down. Also post the maximum number of tracks you can realisticaly work with (i.e. 16, 24, 32, 48, infinitite)

Do not post any other information other than the following:

Name; format(s); Max # of tracks; Location

Thanks,