This probably should be in the gear forum, you can move it if you want, though its more of an opinion.

Here's my situation.

I'm going to be a part of an all analog session for my own band (though I do recording myself, I'm going to have another engineer who's been doing all analog sessions for a longer period of time than myself.

I have an open top race car that I use gopro cameras to record vision but the sound from these is crap. Can anyone recommend a compact recorder that I can hide under the dash or somewhere out of the wind that will give a nice sound quality to my video's. Been looking at the Tascam recorders but as a total newbie I have no idea what i do or don't need.

Hi, My problem is with connecting the multimix with Cubase 5 and out to my Mackie powered monitors. I have 8ms latency at buffer 256 in firewire so i want to use multimix reverb and bypass Cubase effects when rec vocals. I have my mons connected to monitor outs in multimix. But when I turn up my headphone mix the mons volume increase aswell (they are connected internally).

I'm running a very basic set up (SM57, Focusrite Saffire 6 USB, and Record by Propellerhead for my DAW,) to do some home recording. My problem is, I don't have enough POWER (as in DSP) and I need more of it (I barely have ANY)! I don't know where to find DSP cards or which brand (or model) to go with! And if you can explain what makes a DSP card great, then that would be GREAT as well.

There are a lot of misconceptions about recording when you are first starting out, and since this is a pretty popular place for beginners to get some advice about gear and techniques, I guess I will share my findings.

I thought it amusing that the segment on the USA national news (CBS) showed an MXL V67 prominently many times. It has probably been modded but there you go.

I'm looking to find some advice on the best live mixer money can buy for $1200 or less. I have someone looking for one. I was thinking Allen & Heath or Soundcraft, but have no live experience on either of these companies boards.

This is what is necessary:

...through the speakers with a Zoom H1 Handy Recorder, using the condenser capsules.

So far, it's been pretty much trial and error as to the absolute *best* position that the H1 should be in, in relation to the keyboards speakers.

How often do you get a tax write-off for a business trip to Rome / a seminar on a VERY timely topic / so many noteworthy keynote speakers?

There's no way I can go, but maybe some of you would like to attend - and had not heard about it yet.

Hi. I was wondering if anyone new how to get that crisp smooth sound out of the bass when I record... I've got a few condenser mics and a few dynamic mics. Is there a general area of the speaker I should mic with certain mics? I'm just not getting the right sound. I know it's not much info. But could y'all help me anyway? Hoe do you record bass? Thanks and God Bless!