http://news.bbc.co.uk/1/hi/sci/tech/4637203.stm

I'm a little skeptical about this, but it's a neat concept. .tell me what you all think!

are a standard set of drum mics condensor mics that need phantom power or would u be able to connect them to a standard jack socket on a mixer?

i have a Behringer mixer with 2 phantom powered XLR sockets and 4 channels that are split into mono left and right with quarter-inch jack inputs.. i was wondering what mics and setup u anyone could suggest for recording a drum kit.

New here and also new at this.

I'm trying to find a mixer for drums and hopefully band as well.
Drums have 12 XLR condenser mics, all needing phantom power.
I'm thinking of 16-24 channels, but like I said, I'm brand new to mixing and I would appreciate any and all help.
It would be nice to be able to record as well, but a mix is the main thing here.

Hi,
I am looking for a decent quality drum mic package that can be used for recording practices live off the floor (for recording demos for club owners) and also for live playing in small clubs. I have invested most of my money in my kit which kicks a** (6 piece Yamaha Recording Customs).

I'm looking for opinions on drum mics and overhead mics. I've heard good things about RODE NT 5s and also SENNHEISER e614s for overhead micing. Also curious about choices for drum mics? Thanks in advance, Tony

i'd be Micing each drum individually so they will just be for cymbals. is it worth getting a 2 channel compressor? i'll probably use an ART DMPA for a preamp.

I am looking for suggestions for a versatile kick drum mic. Something that can get a tight rock/funk sound on a 22", and get an open jazz sound on an 18". Any recommendations? Considering Audix D6, AKG D112, Shure Beta 52.

Any comments on these, or other mic.s would be appreciated.

just curious if anyone knows what drum Micing techniques were used by any of todays albums available in stores/heard on the radio. it seems to be the consensus with everyone i know personally(which isn't saying a whole lot where i'm at), to mic every top skin with a dynamic, a condensor over the hi hat, and a stereo pair of condensers over the cymbols. and i know about placement and all that.

Hi,
I am going to try and track drums day after in my small recording room (10x10 feet). fortunately, the band listens to me and is willing to spend time and experiment (at least till the neighbours start yelling!).

the drummer set up the kit today and we tried a few Micing situations.

this is what I have :

Hi All,