Hello everyone,

I'm looking for advise on what I need to provide my customers with when mastering a song.

I've been able to get good reviews from my already standing customers and was wondering if anyone has advised as to what the songs need to have as far as specs:

i.e 16 bit recording, 44.1 kHz.

Hello my question is

When should I convert to 44,1 kHz when product should be an Audio CD ?
Before my Mastering-Chain or as the last step in Mastering, before Dithering.

http://src.infinitewave.ca/ is an interesting link on Tests for this item

Best regards
Thomas

Just wondering, on average how many mastering orders do you think a normal mastering studio fills in a month?

Hi,

I'm considering recording audio in the DSD format and would like to know how I transfer the recorded files to files that are put on an SACD. My searches on the internet have not revealed much software that do this (whatever the reason for that?)

I'm gonna be trading in some old equipment and getting all new stuff for analog mastering (comp, eq, limiting).

Will be using my same Bowers and Wilkens 805s, B&W Sub, and Bryston Amp for monitoring.

So, if you had $12k budget constraint for analog mastering comps, eq and limiting, what would you get?

Just Currious do any of you ME's every add a small amount of verb to a track when mastering to soften up a song/add some ambience?

Justin

HI,
I'm Mac user~Logic Pro 7
Just wanna know do anyone of you using the LP7 internal plugin effects for Mastering purpose?

I wish to know how you use wisely on AdLimiter to Maximize the Final Voloume as commercial loudness as posible.
Thanks!

Hi

Just a quick question?

What are your thoughts on the idea of adding stereoimage widening and a master bus compression to a final mix before sending it to mastering?

i find that these 2 area drastically change my mix therefore feel i should add them.

any thoughts?

Hi, I am playing in a band that is making a full length recording with a Fostex :? VF-160. We are complete on the mixdowns and now want to have it mastered by someone else before pressing discs. I cannot find out the best way to get the songs to the person who will master them.

So my band "The Injured List" just got signed and my recordings will soon be going off to Spectre Mastering studios in Washington, they have a very professional space and their discography is rock solid!

I'm just scared to death that my recordings in the end will sound like sh**!

YIKES!