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Rate my mastering...

Hi i have doing first steps in mastering and here is a song i've mastered.
Tools used: Waves RComp (as SSL Bus Summing Emulation),
Izotope Ozone: 3 Band Compressor + Harmonic enchancer (Tube emu, 2-nd harmonic dist.).
Sony Oxford Inflator on last Stage and POWr Diter Type 2.

Master2_PT.wav should be considered as primary.

Final Mastering through Dual Zeon Processor PC

I need your feed back on an issue I am not very familiar with. I own a Computer Graphics Company (been around for over 12 years) and not a Novice, and do a lot of Recording of my Gospel Music at a friend of mines studio. He has one of the most powerful studios I have ever been in with two Yamaha 16 track Didigal Boards and a Rack full of enhansment and Editing tools.

Loud masters

Hi, I was wondering what you all thought, I personally like to make my masters at a certain level, not as loud as many albums have been mastered lately, because I like to keep the dynamics intact, so I take the master mix to aproximately -10dB RMS, but this is kinda quiet compared to some of the newest rock albums in which most songs are taken to levels that can reach -5dB RMS, of course dynami

Anyone affiliated with a Mastering Studio?

I just have a few questions.

*Signal processors. When you receive someone's mix, how do you feed it back into the DAW? Do you go through a set number of compressors or EQ's first before you processes it internally or what? Where does the audio start from, from a CD source or from the harddrive? Then comes the editing, explain please.