Anybody use it, notice any difference in sound quality? Thanks I was looking at building one for mastering.

Im looking into a good E.Q. for mastering----Ive been looking at Manelys Massive Passsive,,,,but the $$$$$$ is a bit too much.
Any votes on the Pultecs-----or any other "good" EQs?.
How about TL Audio EQs?

Okay, so I haven't really bought too many commercially released pop/rock CDs lately, much less listened to them in a real environment other than my car.

So, in an attempt to familiarize myself with a few of the newer artists or some returning favorites, I bought the two following discs this past weekend:

Keane - Hopes and Dreams
Liz Phair - Somebody's Miracle

Hello..Forum
I just joined the Org. .I have quite a lot of Mastering Studio / Recording Equipment available...Neumann VMS 70, Maselec, Mytek, Sontec Eq., ITI Eq., Neve 33609, much more... ..Please contact me if you would like the list. .Would it be appropriate to post the complete list on this Forum. ?

I need to buy the equipment through which i can get the maximum gain out of my mixes i don't need a final eq eqipment cuz i will eq from my pro tools since i will be sending my pro tools output to the mastering equipment... so a guide plz wht can i get to the the maximum gain out of my mixes in 6000$ US

I need to buy the equipment through which i can get the maximum gain out of my mixes i don't need a final eq eqipment cuz i will eq from my pro tools since i will be sending my pro tools output to the mastering equipment... so a guide plz wht can i get to the the maximum gain out of my mixes in 6000$ US

hello

I've done some mixes in our studio and just to get a general idea of a 'mastered' sound, i've run them through a bunch of TRacks presets. Now I know most aren't fond of TRacks around here. But, I just wanted to get a general idea.

Okay, so I realize that just about any tool can be useful in one way or another, but I'm curious. Could either the Langevin or Manley ELOP be considered a decent tool for mastering?

So 16 bit DAT is all over. Recently I've been running my mixes onto 2 tracks on my RADAR and transfering them to computer to top and tail them before handing them to the client as 24 bit WAV files. Mastering engineers seem to be happy with that. Is that the best current format?