Hey everybody,

I have recorded my songs in 24-bit, and as the last part of the process, as I am mastering, I am also using a 'UV22HR' plugin to convert into 16 as I create the WAV files. At least that's my understanding.  However, I'm reading now that I should mix to the same bit rate as my session was recorded in. 

The new Steinberg interface supports 32 bit integer recording. I am curious if this can be expected to be a bit improvement over 24 bit. Im an the market for a higher end interface to transfer a ton of old tapes and records, as well as record and mix new stuff.

Hey, I've noticed a couple of the new interface units employing 32 bit adda comverters (RME Adi-2 pro, sound devices mix-6).

Just wondering if there were any benefits of any kind, and what the 32 vs 24 bit depths means in an adda context in general.

Ok im. confused...
My mastering engineer sent me a 16 bit wav file...I sent this to CDbaby for distribution. CD baby ask for a 16 bit wav file and no other format.
In conversation with the mastering engineer over Facebook chat.

Found this an interesting read on mixing & mastering at 96kHz and thought it would be worth sharing.

http://www.ryanschwabe.com/blog/96k
 

Hi, I'm very interested in getting the Apogee 96k mic to use when using my new 128 g iPad mini, however I would like to know what other options are out there that may work for me.

I was putting the beginnings of a mix together this morning, working with the drum tracks.

The kick and snare are both live - the kick is an ancient Ludwig 22" from the 60's; it looks like it's been run over by a truck, but it sure still sounds good. ;) ( I have three vintage snares, a '68 Black Beauty, a '71 Suprasonic, and a Rogers wood snare).

Greetings all,

test for 320Kbps upload .
 

An interesting read on 96k vs 44.1k sample rates and up sampling.